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[Note: This material is for educational and entertainment purposes only. Please consult an investment  professional before making any investment decisions] “BUY THE RUMOR, sell the news.” If there is one mantra that has held up since trading in financial markets began, this is it. We are all aware–especially the more romantic among us–that once it arrives, reality is not as potent as the anticipation of it: it’s an anticlimax. But how does that make for a trading opportunity? The answer is simple: potential supply and demand. Almost thirty years ago, a client of mine called in to place to buy two thousand dollars worth of stock options in advance of an upcoming “XYZ” company earnings announcement; he was the manager of  a distribution center that

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I DON’T KNOW if it’s because I haven’t spent much time watching movies in the last six months (having been otherwise engaged in reading old books or gorging on empty-calorie news), but I was particularly impressed by Enola Holmes, a movie based on more recent fiction stories about a much younger sister of the great sleuth Sherlock of Sir Arthur Conan Doyle fame. I was intrigued by the cast as it featured some heavies like Helena Bonham-Carter and Henry Cavil, but the lead actress, Millie Bobby Brown as Enola, was captivating. I expect she will do much more on the big screen. The theme follows  a burgeoning trend I began posting about many years ago, namely stories that focus on female protagonists in roles that

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  [This is a seasonal piece from Unit Three Writings] MY SEASON APPROACHES and with it arrive my best prospects for redemption. I refer to September, both as the ninth month and as a stage of Life–the ripeness of being that precedes the bitter cold. I refer to the September I was born in and those sweet, sad days that invite surrender to Melancholy’s caress. This belief takes shape in me only now, at fifty. It formed in increments by way of three separate and eclectic experiences. The first came while I was away at college, that blissful period when my future was indiminishable by doubt or skepticism, and a writing pad stuck out of my back pocket that I might recognize and record rare

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      I WAS A FAN of Matthew Rhys from having watched The Americans series and then had no choice but to rave about him in Mr. Rogers’ Neighborhood. His typically somber and introspective character is perfect for the tone of this series. The measure, for me, of the strength of a series is how deeply I pine for the next episode and I pined (silently) like a hound for the chase. This Perry Mason genesis story has all the things I like: it’s a period piece, it’s noir,  has good casting with several plot points converging. At a time in our country when Justice and Truth are struggling to take a form we can all recognize, what better way to put them into

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