AS A WES ANDERSON devotee, I was going to watch this film with no regard for reviews or hubbub about it aforehand. As with The French Dispatch, his most recent full feature, this movie will require another viewing; there’s too much detail to consume and it goes by too quickly.  The cast is replete with stars and familiar faces for Anderson’s film.  Tom Hanks, Scarlett Johannson, Liev Schreiber, and Bryan Cranston are all new (I think). Jason Schwartzman and Edward Norton are among the veterans. My initial reaction was that Anderson had become too stylized and too cute. He felt the need to frame the film as a movie about a play. For me, his movies will always survive a viewing because they are

  ABOUT TWENTY YEARS ago, while living in Arizona, I read a good number of the mystery novels by Tony Hillerman.  They centered on the exploits of a Navajo detective who used his senses of harmony and balance to solve crimes on the enormous reservation that covers parts of  Arizona, New Mexico, Utah and Colorado.  It includes Hopi and other tribal sections.  Robert Redford bought the rights to some of the material and co-produced this with George R. R. Martin and others. One of the benefits of the “whodunnits” here is the look into the Navajo culture. It’s matriarchal and mystical, holistic and animist; it’s beautiful, noble and vulnerable. [There’s currently a Ken Burns’ documentary on the American Bison and the effect is the same:

THERE ARE THREE FILMS either just out or opening soon that I am very anxious to see.   Indiana Jones and the Dial of Destiny I have come to appreciate Harrison Ford more and more through his role in the Star Wars franchise but more so because of his starring role in Bladerunner and its sequel. I expect the quality of the production to be top-notch and the plot to be compelling. Cast includes Antonio Banderas, Phoebe Waller-Bridge, and Mads Mikkelsen.   Asteroid City I would probably watch anything Wes Anderson makes. I never watched the Darjeeling Limited, but he has made several incredible and artful films, like Moonrise Kingdom, The Royal Tannenbaums, Grand Budapest Hotel, etc. One testament to the success of his work

THIS FILM CONTAINS A NUMBER OF INGREDIENTS that make a film work for me. I can’t promise they will work for you with this movie, but here goes: It has a director with a solid track record It’s British–I tend to think the Brits often make great films because the director has more artistic license; the arts get some public funding so you don’t get movies managed largely for profit or by “a committee” There are members of the cast I enjoy: one or two good performances can save or make a movie The plot and the cinematography are compelling enough to enjoy without having to suspend disbelief unreasonably much or often Guy Ritchie has made some very good films in this genre–which is usually

  THIS SERIES HAS A GOOD CAST (though the best performances might not come from the ones you expect) and offers new and sometimes sordidly funny insights into the events leading up to the Nixon re-election campaign, the Watergate break-in(s), and the onset of scandal. The two best performances came from Justin Theroux as Gordon Liddy, and Lena Headey as Dorothy Hunt. I have enjoyed Woody Harrelson in many past efforts, but in this role as Howard Hunt,  I quickly tired of his habit of thrusting his jaw forward to indicate some inner conflict. Theroux as Liddy was superb and may get nominated for it. Lena Headey was fantastic as the spouse of Howard Hunt. The cast contained other familiar faces amid solid performances. I 

THIS MOVIE HAS the distinction of being completely unpredictable almost from the very beginning. Because the theme is metaphysical or “multi-versal,” it draws from the infinite to introduce many zany, funny, curious or compelling alternate worlds in a two hour timeframe. There is martial arts fighting; it never seemed gratuitous, however, and at times it provided some fun. The film features a number of veteran Asian actors who now, finally, get the recognition they have deserved and been denied: Michelle Yeoh, Ke Huy Quan, and James Hong, have acted for decades each. Hong, for example, is 94 and acted with Clark Gable. At least two members of the cast have already won awards for best actor or best supporting actor, Michelle Yeoh and Ke Huy Quan.

  THIS MOVIE is directed by Sarah Polley, produced by Frances McDormand, and featuring a cast of acclaimed and powerful actors, predominately women. It is based on the 2018 novel by Miriam Toews which was set in a Mennonite colony in Bolivia that did (does) exist. The movie, however, is in English, and there are no references to location or country–there don’t need to be. As for the temporal (and just as with Banshees of Inisherin) it could have taken place a century ago though the year is 2010.My first reaction, because the movie does focus on intense debate among a group of women trying to reach a life-changing consensus (in part regarding justice), was that the style reminded me of the female version of

THIS IS A FUN SHOW. Natasha Lyonne’s character Charlie captivates the action with a virtuous brand of “superperception”—she can tell when others are lying. And so, as the series’ title suggests, this can have advantages in poker: no one can bluff you. But upon attracting the scrutiny of a Nevada casino mogul, her brand of talent leads to a prolonged road trip and sets the stage for forthcoming episodes. You see, in addition to the advantage it gave her in poker, her perceptive power often reveals clues to crimes, and her merely refined powers of observation and logic create no less than a charming nomadic “Columbo” with reddish blonde hair, a slightly raspy voice, and a sense of justice that won’t leave her at peace

[Note: I apologize for the late post as I watched the film two days before the Golden Globe Awards show. My only confident notion, having seen few of the nominated films, was that Colin Farrell would win Best Actor.] THIS DRAMA IS HARD TO DESCRIBE; it’s been referred to as comedy, tragedy, dark, dark tragi-comedy; labels are risky: you might miss the film for the wrong reasons (you might also see it for the wrong reasons). But the greater risk is to miss the movie. It takes place in a tiny village on an island off the coast of Ireland. The setting is probably 40 years ago, though without references within the film to hint at the era, it could have just as easily have

WHEN I SEE Christian Bale and Margot Robbie as leads in the cast, I am already smelling the popcorn, There are other  big names involved, including De Niro. It’s set after WWI, and in part based on real events. It’s light, funny at times, yet there’s an intrigue that builds; it takes a while to show up, but the action holds ones interest until it does. The director, David O. Russell (American Hustle, The Fighter, Sliver Linings Playbook), has a solid resume. Bale is the usual joy to watch, Margot Robbie keeps getting better (hard to imagine), and then you have John David Washington (Black Klansman), Rami Malek, Anya Tayler, and list of celeb cameos from, for one example, Taylor Swift. There’s not much else