In a terrific independent film playing at the Downer Theater in Milwaukee, I got to watch Collin Firth, Jude Law, Nicole Kidman, and Guy Pearce in a story about a golden age for publishing in the United States. The movie is called “Genius”and it focuses on Max Perkins, editor at Scribner & Sons who represented Hemingway, Fitzgerald, and for the purposes of this film Thomas Wolfe, author of”Look Homeward Angel.” Superbly acted and set splendidly amid the clothes, cars, and romance of the early 20th century, the plot centers around the discovery of Thomas Wolfe by Perkins. Wolfe (Jude Law) is a passionate and hyper-prolific writer, and Perkins (Colin Firth) is drawn to him personally and professionally despite the tragic and destructive nature he sees

Most people want to talk about Brexit as a rogue event—like the appearance of a comet or a solar eclipse. It should be viewed, though, as an important point on a continuum that marks a transition point in a decades-long global swing toward economic and political integration. Since Reagan and Thatcher and the collapse of communism, we have seen nearly thirty years of increasingly free-market policies with regard to trade, regulation and taxes—this on a global scale. The effects have been to promote economic integration and the financialization of the world.  The financialization is important in that it promotes debt-fueled feudalism—again, on an individual and a national level: the Greeks are an example of how debt leaves a country in servitude to the paymasters; the

The Lobster I had to drive some distance to see this film. It is very much a pity that the more rewarding film experiences are often the least accessible. While I admit that more “artistic” content has shifted toward home-viewing now—I insist that the ritual and experience of a theatre venue is more valid than the domestic one. The film was a surprise—even a shock—and it was worth the drive [pullquote align=”full” cite=”” link=”” color=”” class=”” size=””]If you choose to see this film, be prepared to talk about it after the credits roll. Consider yourself warned: everything is metaphor.[/pullquote] Colin Farrell and Rachel Weisz (among other name players) made for a strong cast, but in this film, their acting talents were put to use in

Some actors draw me to a movie before I even read a review. For example, I would likely watch Russell Crowe do most anything. Ryan Gosling has also turned in a number of strong performances. And so I went to see The Nice Guys, the new action/comedy/noir/crime-drama set in 1970s LA. [pullquote align=”full” cite=”” link=”” color=”” class=”” size=””]I hope they both check that off their list before either goes into a “real” modern comedy where according to the last comedy plot mandate, they would, inevitably have to make terrible faces because some inanimate object has just been forced up their butt.[/pullquote] The retro fashions, cars, and music – and the lack of any Digital Era technology – make it a fun visit to what was